The Big Parade is a 1925 American silent romantic drama film directed by King Vidor, starring John Gilbert and Renée Adorée. The film is set during World War I and follows the story of an American officer who falls in love with a French woman.
Is this movie suitable for family viewing?
This film is not suitable for young children due to its mature themes and war-related content. However, older children and adults can enjoy it as a classic silent film.
This film is a must-watch for fans of classic silent films, romance, and drama. However, viewers who are sensitive to war-related content may want to exercise caution.
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The film tells the story of Jim Apperson, an American officer who falls in love with a French woman, Melisande, while serving in France during World War I. However, their love is put to the test when Jim is sent to the front lines, and Melisande is left behind to care for her ailing mother. The film's climax features a dramatic and intense battle scene that showcases the horrors of war.
The story is engaging and well-paced, with a strong focus on the romance between Jim and Melisande. However, the plot can be a bit predictable at times.
The acting is superb, with John Gilbert and Renée Adorée delivering standout performances. The chemistry between them is palpable and adds to the film's romantic tension.
The characters are well-developed and relatable, with Jim and Melisande being particularly well-portrayed. However, some of the supporting characters feel a bit one-dimensional.
King Vidor's direction is superb, with a keen eye for detail and a deep understanding of the story. The film's pacing and editing are also top-notch.
The cinematography is stunning, with beautiful shots of the French countryside and the war-torn battlefields. However, some of the special effects can feel a bit dated.
The Big Parade is a beautifully shot and well-acted film with a strong focus on romance and drama. The cinematography is stunning, and the direction is superb.
The plot can be a bit predictable at times, and some of the supporting characters feel a bit one-dimensional.
"I'd rather be a beggar than a soldier."
"I'd rather die than be a coward."
"You're a fool, Jim. You're a fool to think you can change the world."