Gypsy is a 1962 American musical drama film based on the 1961 Broadway musical of the same name, starring Natalie Wood and Karl Malden. The movie follows the story of Louise 'Gypsy' Rose Lee, a young girl with a passion for dance and a dream to become a performer.
Is this movie suitable for family viewing?
This movie is not suitable for young children due to mature themes and some suggestive content. However, older teenagers and adults may find it enjoyable.
This movie is worth watching for fans of musicals and drama, particularly those who enjoy strong performances and memorable songs. However, viewers may want to approach with caution due to some mature themes and suggestive content.
Hover to reveal spoiler summary
The movie is a semi-autobiographical account of the life of Gypsy Rose Lee, with some artistic liberties taken to enhance the story. The film explores themes of ambition, love, and the sacrifices one must make to achieve success.
The story is engaging and well-paced, with a strong focus on the main character's journey. However, some plot points feel a bit rushed and could have been developed further.
The acting is top-notch, with Natalie Wood delivering a tour-de-force performance as Gypsy Rose Lee. The supporting cast is also impressive, with Karl Malden and Ruth Roman delivering memorable performances.
The characters are well-developed and complex, with Natalie Wood delivering a standout performance as Gypsy Rose Lee. The supporting cast is also impressive, with Karl Malden and Ruth Roman delivering memorable performances.
The direction is solid, with Mervyn LeRoy doing a good job of balancing the musical numbers with the dramatic scenes. However, some scenes feel a bit staged and could have been more naturalistic.
The cinematography is beautiful, with a strong focus on capturing the vibrant colors and energy of the 1920s and 1930s. The camera work is also impressive, with some memorable shots and angles.
Natalie Wood's performance is a standout, with memorable songs and a strong story. The cinematography is also impressive, capturing the vibrant colors and energy of the 1920s and 1930s.
Some plot points feel a bit rushed, and the direction could have been more naturalistic. Additionally, some scenes feel a bit staged and could have been more authentic.
"I'm not a good mother, but I'm a good showgirl."
"The show must go on, darling."
"You're a natural, Gypsy. You're a real showgirl."